London. I work across the UK and internationally, and regularly travel for shoots.
Yes. I own a full camera, lighting and grip package, including the Sony FX6, Sony FX3, DJI Ronin 4D, Thypoch Simera-C cine primes and Sony G Master lenses, plus lighting, monitoring and a fully racked camera van. I often hire in extra kit for specific jobs and have great relationships with a number of rental houses. You can book camera and DOP together. See the full kit list →
Commercials, automotive films, branded content, documentaries, art and gallery films, music promos, narrative and interviews.
Yes. Automotive work is one of my specialities, from studio films lighting cars such as Audis, Bentleys and Formula One cars, to on-the-road shoots and track work. I own a Tilta Hydra Alien car rig that takes the Ronin 4D, which is an excellent tracking option, and I also operate from professional camera tracking vehicles.
Yes. I can work as a self-shooting DOP and light the job myself when budgets or access call for a small footprint, or lead a full camera and lighting team on bigger productions.
Yes. After more than 20 years, I can recommend a number of great crew I work with regularly, from focus pullers and gaffers to sparks and grips. I often crew up jobs for US clients and get great feedback about the quality of the crews I bring in.
Day rates depend on the job and the kit package. Get in touch with your dates and brief, and I'll send a quote.
Yes. I fly a DJI Mini 5 Pro and hold my Operator ID, Flyer ID and drone insurance for commercial work.
As early as possible. However, I can often turn around last-minute jobs, so it's always worth asking.
Email mattglen2000@gmail.com or call +44 (0) 7976 251 331 with your dates, location and a short brief.